March 14, 2015

divShare is down

Hi all,

The file sharing service I use is down and has been for days. I have no idea what is going on and they aren't talking...sorry for the bummer. Hopefully they survive...uploading to a new site would be...arduous to say the least.

March 1, 2015

Fahey circa 1983

Fahey circa 1983 at one of the "Let Go" Recording Sessions in Portland, OR. with Terry Robb.

Thanks to Terry for sending me the picture above.

Thanks to everyone that helped out with Fahey Week this year!

February 28, 2015

John Fahey Guitar Tabs

Son House

City of Refuge

Charles A Lee: In Memoriam














Thanks to Malcolm for these!!

Fahey's Dance of Death Outtakes

Outtakes, fragments, unreleased songs. John Fahey recorded a whole host of material over the course of a couple days. Stephen of the John Fahey blog originally uploaded lots of Fahey outtakes and unissued material. This upload was hosted on his blog up until around 2007-2008. All of this content has since shown up on blogs across the internet. But these sessions are the one thing that has not been re-uploaded. Aside from tagging the MP3s with proper titles, I present it here as is.

It seems with the advent of Spotify and the ability for content owners to throw together compilations, a lot of random outtakes and unissued studio material has shown up, labeled as “Best Of” comps and the like. It is a heap of a mess, but if you search through there, you can find many gems.

The full, unreleased song, “TV Rag” aka “The Television Rag”, is one cut that has not shown up in those comps referenced above. The only place it has since existed was on Stephen’s blog. Fahey taught Ragtime Ralph, aka Ralph Johnson, aka Blind Brand X, the “TV Rag” when Ralph hosted a show of John’s in the 80s. Ralph’s great version appeared on his release “Volume 4”.

John Fahey - The Dance of Death Outtakes
Silver Spring, Maryland (1965)
Download it HERE
Thanks to Rag Lore for these and for the text!
   

the Zabriskie Point tapes

Well, well, what do we have here? According to Fahey in "How Bluegrass Music Destroyed My Life"  this experience made him a lot of money, but he didn't have any fun.

Here's some interesting musical trivia sourced from the IMDB page.

"Fingals Cave", a piano piece composed by Richard Wright of Pink Floyd for the 'violent scene' went unused, but was later reworked by the band as "Us and Them" on their album "Dark Side of the Moon". In its original form it has featured on various bootleg albums.

Remembering the scoring sessions for this film, members of Pink Floyd later commented that Michelangelo Antonioni was very difficult to please, offering vague comments like (quoting the bandmembers, mimicking Michelangelo Antonioni's accent) "Eets nice, but too slow" or "Eets a leetle bit too soft."

Antonioni met with Jim Morrison during early production to ask for a musical contribution to the soundtrack. Morrison and the Doors provided "L'America" which Antonioni then rejected.

Download part I HERE or HERE

Download part II HERE or HERE

February 27, 2015

John Fahey - Dance of the Inhabitants...Live @ U of Washington by Steve Palmer

Often the oeuvre of John Fahey is discussed in the context of the
blues, followed by an oblique mention of his influence on acts like
Sonic Youth and his spiritual alignment with minimalist composers.
Generally his influence on these acts is credited to his iconoclastic
and DIY persona. Less mentioned is his direct musical influence on the
experimental acts of today. Fahey was, at times, a drone artist- and
this fantastic, mysterious take of “Dance of the Inhabitants”
illustrates why he continues to remain relevant in experimental
circles.


Fahey bookends this piece with familiar blues references as his slide
meanders through pentatonic riffage, but midway he fully embraces
microtonality and dissonance. This creates a conflict between the
earthy and the ethereal- a conflict that colors much of his best
music. Often it ceases sounding like a guitar at all. This is cosmic
music.

The resonance of the concert hall is to thank for much of the
immensity here, making this particular recording less akin to Bukka
White and more similar to Charlemagne Palestine's "Strumming Music" or
some of the more celestial and percussion-free Glenn Branca pieces.
Here you can hear Fahey not only play the guitar, but simultaneously
play the room and the air- summoning throughout the same overtones of
the drone greats.

The rapturous audience at the University of Washington were lucky to
play aural witness to this private and meditative moment, as are we
some 40 years later. This bootleg is among my top five favorite Fahey
moments (including his studio work) and I believe it stands out as
unique in his discography, bringing further into focus this remark of
Jim O'Rourke from Steve Lowenthal's recently released “Dance of Death”
biography:

“Fahey isn't an Americana thing for me [...] I didn't think of him in
the context of Bukka White- I didn't give a shit about that stuff,
honestly.”

Grab a cup of tea or coffee, find a private place, and enjoy! Give it
space to sink in. Happy Fahey week.

Steve Palmer performs guitar in his hometown of Minneapolis, MN and released his debut 'Unblinking Sun' on Dying For Bad Music in 2014.

February 26, 2015

John Fahey - New Sounds on WNYC 1991

     by Tyler Wilcox
Dig into an hour's worth of music and chat with John Fahey, broadcast in the early 1990s on John Schaefer's New Sounds program on WNYC. This period is a bit of a "lost" era for Fahey, as he battled Epstein-Barr virus and various psychological traumas. Typically, John is very candid in recounting these troubles during the interview segments -- Schaefer seems a bit taken aback by some of the guitarist's casual revelations. But Fahey sounds in good spirits, despite some dark turns, discussing the early Takoma Records days and fellow players like Leo Kottke and Robbie Basho ("I never liked him," Fahey says of the latter), and even apologizing profusely for coming up with the term "American Primitive." And the playing is sharp and enjoyable, including some choice selections from the then-new Old Girlfriends & Other Horrible Memories, as well as a nice rendition of Robert Johnson's "Come On In My Kitchen" (which Fahey would record with Cul de Sac a few years later).

Download it HERE

   

February 25, 2015

Tom Weller - Artist for the Fahey album Covers

You can visit Weller's site HERE and read some of his out-of-print books including Science Made Stupid that won the 1986 World Science Fiction Society's Hugo award for Best non-Fiction Book.

Weller was the artist for many of the early Fahey covers. Weller had his psychedelic phase and then his wood cut phase. I prefer the wood cut covers. He also designed that Takoma "T" logo with the arrows.